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Saturday, May 27, 2017

Six A: The Kröller Müller Museum in Otterlo

The second-largest collection of van Gogh's works in the world is held by the Kröller Müller Museum. It is located in a big national park called Hoge Veluwe near the town of Otterlo, about sixty miles south and east of Amsterdam.

Entrance Walkway

Mark diSuvero
K-Piece, 2012

The Kröller-Müller Museum was founded by Helene Kröller-Müller, an avid art collector who was one of the first to recognize Vincent van Gogh's genius and collect his works. She picked up almost 90 paintings and 180 drawings while they were still cheap.

In 1935, when economic times were rough, Helene Kroller-Muller donated her entire collection to the  nation, along with a 75-acre forested country estate. The government built a museum for the collection that opened in 1938, and turned the estate into the largest national park in the Netherlands. 

Although the Kröller-Müller collection is smaller than that of the Van Gogh museum in Amsterdam, the museum has a lot more of his work on exhibit. This is where you can get a true feast of van Gogh.

Van Gogh began studying art in earnest about 1881, when he was nearing thirty. He died in 1890 from a gunshot wound. His progress as an artist in nine years was amazing and his output was prodigious.

Art by van Gogh

Vincent van Gogh, 1853-1890
Still Life with Straw Hat, 1881

Vincent van Gogh, 1853-1890
Carpenter’s Yard and Laundry, 1882

Vincent van Gogh, 1853-1890
Flowers in a Blue Vase, 1887

Vincent van Gogh, 1853-1890
Four Sunflowers Gone to Seed, 1887

Vincent van Gogh, 1853-1890
Bridge at Arles, 1888

Vincent van Gogh, 1853-1890
Terrace of a Café at Night (Place du Forum), 1888

Vincent van Gogh, 1853-1890
Flowering Peach Trees, 1888

Vincent van Gogh, 1853-1890
View of Saintes-Maries-de-la-Mer, 1888

Vincent van Gogh, 1853-1890
Landscape with Wheat Sheaves and Rising Moon, 1889

Vincent van Gogh, 1853-1890
Still Life with a Plate of Onions, 1889

Vincent van Gogh, 1853-1890
Sorrowing Old Man, 1890

Other Artists


Camille Corot, 1796-1875

Camille Corot was an important pioneer of landscape painting in France because, although his paintings were generally finished in the studio, they were based on sketches he made from direct observation.

His example of direct observation from nature, and careful depiction of daylight effects, had a strong influence on the development of Impressionism.


Camille Corot, 1796-1875
Soissons seen from Mr. Henry's factory, 1833

Camille Pissarro, 1830-1903

Pissarro was a landscape painter whose fresh observation and textured brushstroke strongly influenced the development of Impressionism.

Pissarro went on to make important contributions to Pointillism, a later development of Impressionism that used more systematic color and uniformly small brushstrokes.


Camille Pissarro, 1830-1903
February, Sunrise, Bazincourt, 1893

Edouard Manet, 1832-1883

Manet was a Realist painter who constantly developed new techniques, and pushed Realism toward modernism.

Edouard Manet, 1832-1883
Portrait of a Man, 1860

Claude Monet, 1840-1926

Monet was one of the originators of Impressionism.

Before Impressionism, he sometimes painted in the Realist tradition.

Claude Monet, 1840-1926
Portrait of Miss Guurtje van de Stadt, 1871

August Renoir, 1841-1919

Renoir was one of the original Impressionists, but he had a solid grounding in traditional realism.

August Renoir, 1841-1919
The Clown, 1868




Luce was a talented and prolific Neo-Impressionist.

Maximilien Luce, 1858-1941
Region of Paris, view from Montmartre, c. 1887

Maximilien Luce, 1858-1941
Outskirts of Montmartre, Rue Championnet, 1887


Jan Toorop, 1858-1928

Toorop was a Dutch-Indonesian painter who is significant to the history of Dutch art, even though he is not widely known internationally.

Although he is associated with a number of turn-of-the-century styles, some of his best works were examples of Pointillism.

Jan Toorop, 1858-1928
Sea, 1899


Georges Seurat, 1859-1891

Seurat is considered the founder of Pointillism or Neo-Impressionism. He distributed color systematically in small, uniform brushstrokes.

Georges Seurat, 1859-1891
Sunday at Port-en-Bessin, 1888

Georges Seurat, 1859-1891
Le Chahut, 1890


Théo van Rysselberghe, 1862-1926

Théo van Rysselberghe was an important Belgian Neo-Impressionist painter, who followed the system originated by Seurat.

Théo van Rysselberghe, 1862-1926
In July - Before Noon, The Orchard, 1890

Théo van Rysselberghe, 1862-1926
Boulogne-sur-Mer, 1899

Paul Signac, 1863-1935

Signac worked with Seurat in developing Pointillism. He explored many variations of this technique.

Paul Signac, 1863-1935
Port-en-Bessin, La Valleuse, 1884

Paul Signac, 1863-1935
The Dining Room, Opus 152, 1887

Paul Signac, 1863-1935
Collioure The Belltower, Opus 164, 1887

Paul Signac, 1863-1935
The Lighthouse of Portrieux, Opus 183, 1888

Paul Signac, 1863-1935
The Jetty of Portrieux, Gray Weather, 1888

Paul Signac, 1863-1935
Mantes, 1900

Key Points

The Kröller Müller Museum in Otterlo has a major collection of paintings by Vincent van Gogh.

Van Gogh's career was only about 10 years long, and the bulk of his paintings date from the last few years of his life.

The museum also has a group of works by other 19th century painters.

The museum has a substantial collection of paintings in the style of Neo-Impressionism or Pointillism.

  • Pointillism was originated by Seurat and Signac.
  • Maximilien Luce was a later Pointillist landscape painter.
  • Jan Toorop was a Dutch artist who produced paintings in the Pointillist style during one phase of his career.
  • Théo van Rysselberghe was a Belgian Neo-Impressionist.










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